THIS IS THE CONTINUATION OF THE PREVIOUS CHAPTER

1. ONCE AGAIN WITH THE SAME BRUSH SETTING AND LARGE STROKE SIZE, BUT THE COLOR OF THE DRESS WHICH ONCE AGAIN CAN BE SAME AS THE PIC OR OF YOUR CHOICE, PAINT OVER THE ARTICLE OF CLOTH. 

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2. TURN THE VISIBILITY OF THE BASE LAYER OFF AND ADD A LAYER ABOVE IT [NOTE: PLACE THE CLOTHING LAYERS BELOW THE HAIR, ESPECIALLY WHEN VECTORIZING A FEMALE MODEL. 

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3. WITH A DARKER COLOR BUT THINNER SIZE, HIGHLIGHT THE SHADOWS

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4. REPEAT THE PROCEDURE FOR ANY OTHER CLOTHING [IN THIS CASE PANTS]

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5. SO FAR THE PRODUCT. 

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 Q U I C K   T I P S 

| | KEEP THE SHADE OF THE SHADOWS VERY CLOSE TO THAT OF THE BASE OR LOWER THE OPACITY. SOMETIMES YOU MAY HAVE TO COLOR THE SHADOWED PART INSTEAD OF STROKING IT.

| | IF THERE ARE MULTIPLE ARTICLES TRY TO KEEP THE COLORS DIFFERENT, SO THAT HE ARTICLES CAN BE DIFFERENTIATED EASILY. 

| | THE COLOR OF THE STROKES FOR THE CLOTHES SHOULD BE DARKER THAN THE BASE BUT FOR HAIR THE STROKE SHOULD BE LIGHTER THAN THE BASE.

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THOUGHTS? QUESTIONS? ASK HERE?

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